![]() Keep in mind, that the further back that you sit, the higher you sit as well.Īt Teatro la Fenice in Venice, the seats in the upper galleries and within each box, where individual seats are not reserved, may present obstructed views. The right and left orchestra areas tend to have good seats for seeing the action taking place on the sides of the stage, provided the seats are reasonably close.Īlso, the first few rows in the center mezzanine, lower balcony or dress circle have good views of the entire stage. Generally, the best seats in the house are going to be in the center orchestra and right in the center of the house. Still, seats too far back or higher, may leave you squinting to see the performers. But sitting close to the stage makes it more difficult to take in the entire sense of the production, such as patterns created by the corps de ballet moving as a school of fish. When you're close to the stage, of course, you can see every, facial expression and hear every word and note. This way everyone in the theater could see the wealthy and recognize their status in society.Įach section of seats offers different views of the stage and, as a result, very different experiences. In the distant past, only the richest and most well heeled people sat in the box seats. In other cases, these troublesome seats, like the boxes, were built not for seeing the action on the stage, but for people watching. Poor sight lines are typically caused by architectural elements such as the angle of the seating to the stage, or a beam or wall that are part of the building’s design and engineering. However, older, historic theaters such as La Scala in Milan often have a handful of seats that, surprisingly, don't allow you to see the stage. Seats with obstructed views are uncommon in modern, state of the art theaters such as the National Theatre in London or the Opera Bastille in Paris. The last thing you want is a theater ticket for a seat that doesn't allow you to see the stage. Thanks to resuers'.Articles >The Best Seat in the Opera House The Best Seat in the Opera House Tragically 32 people lost their lives on this night, never to be forgotten – R.I.P.įriendships were sealed when we returned to thank, hug and share wine with Friends that have bonded forever. Schools, churched and homes were opened, phones and computers had no limit as we made calls to our beloved families and homeland embassies sharing tales of our survival and pleading for help to get back home. Medical services, crisis centers, housing, warmth, food clothing and shelter. On this night, each and every local came together to aid with the rescue of 4000 passengers and crew. We lived every moment with the cast recounting our own rescue on a “rock” that housed a permanent population of 700 people. My husband and I survived the sinking of the Costa Concordia off the island of Giglio, Tuscan coast in 2012. I laughed and cried as I sat on the edge of my seat, recounting the night of our personal trauma. The strength and bond of the human spirit rises above all during times of crisis. She really was a standout whereas this cast was a solid performance among 12.īrilliant production, sharing drama, empathy and the gratitude of life. It was still a very enjoyable performance overall, but I was spoiled by having seen the original female lead on Broadway. Early in the performance, when the policeman described pulling over motorists and giving them a warning, the punchline got a laugh from some of the audience but the mezzanine audience could not really hear what he said regarding STFD. This was frustrating because my partner missed a lot of the details. Some of the Newfie dialogue was also extremely difficult to follow, even though I knew the story already. The heavy Texan accent of the female airline captain was extremely difficult to decipher at times whereas the New York performance was 100% clear. We missed about 30% of the spoken and singing dialogue as a result. This touring cast did a very good performance but there were sound issues for us on the mezzanine level. I saw this when it opened on Broadway and absolutely loved it. Lynn Victoria from Vancouver, British Columbia ![]()
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